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dc.contributor.advisorGupta, Anirban Dutta
dc.contributor.advisorDe, Kuntal
dc.contributor.advisorMazumdar, Madhumita
dc.contributor.advisorPandya, Vishvajit
dc.contributor.authorAhalpara, Ami
dc.date.accessioned2017-06-10T14:37:18Z
dc.date.available2017-06-10T14:37:18Z
dc.date.issued2007
dc.identifier.citationAhalpara, Ami (2007). Bhavai on Bhavai. Dhirubhai Ambani Institute of Information and Communication Technology, 50 p. (Acc.No: T00138)
dc.identifier.urihttp://drsr.daiict.ac.in/handle/123456789/175
dc.description.abstractThe starting point for this project was the premise that folk arts are perishing and they need to be preserved. However while reading some of the leading researchers’ works, it was realized that there were counter views also. In the present days of modernization and globalization (where physical boundaries are diminishing at a faster pace), no tradition can remain in isolation preserving its purest form for a sufficiently long time. Changes as per the forces from within the society are inevitable. I took an example of one such folk tradition, called Bhavai, studied it from a researcher’s point of view and finally realized that though its original form and intent are more or less lost, some of its elements have survived. To communicate this idea, I chose the medium of film. The film called Bhavai on Bhavai poses the question, whether tradition is eventually lost or it transforms itself into other forms. It does not give a clear-cut answer to the main question, but finally leaves it to the viewers to judge it for themselves.
dc.publisherDhirubhai Ambani Institute of Information and Communication Technology
dc.subjectFeature films
dc.subjectFolk dancing
dc.subjectIndia
dc.subjectFolk tale
dc.subjectBhavai
dc.classification.ddc791.4372 AHA
dc.titleBhavai on Bhavai
dc.typeProject Report
dc.degreeM. Des
dc.student.id200514003
dc.accession.numberT00138


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